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THE BOOK OF PENTERACT

3/25/2022

 
#ashpoetry
Thanks to Anthony Etherin and Clara Daneri for their tireless efforts to put together such a colossal hardback anthology loaded with art created by my favorite artists. Inside, there are 6 pieces of ash poetry which I created to provide a glimpse into the era we find ourselves: war, disease, political corruption, scandals, resource scarcity and more. Each of my ash poetry visual poems are made from text I wrote. Each word of text torn and burnt on all four edges to resemble religious scrolls.
CONCLUSION:
Purchase your copy: LINK
Full Colour, Hardback, 210 x 148mm, 200pp
THE BOOK OF PENTERACT presents our biggest project to date - a 200 page, full-colour, hardback anthology featuring 45 of the most exciting poets currently working in the fields of constrained, formal, and visual poetry. This is a casebound edition, with a striking red ribbon bookmark and black and red head and tail-bands.
Featuring contributions from:
Merlina Acevedo, Sacha Archer, Nick Asbury, Gary Barwin, Derek Beaulieu, Gregory Betts, Richard Biddle, Christian Bök, Luke Bradford, Andrew Brenza, Susie Campbell, Marian Christie, Lisa Cooper, Franco Cortese, Clara Daneri, Laura Davis, Lucy Dawkins, Dave Drayton, Anthony Etherin, Teo Eve, SJ Fowler, Mary Frances, Helen Frank, Mark Goodwin, Paul Hawkins, Greg Hill, Tom Jenks, Robert Frede Kenter, Chris Kerr, Laura Kerr, Michelle Moloney King, Alex McKeown, Nick Montfort, Astra Papachristodoulou, Imogen Reid, Katrina Roberts, Petra Schulze-Wollgast, Kate Siklosi, Rachel Smith, Vilde B Torset, Philip Terry, Simon Tyrrell, María Celina Val, Maggs Vibo, & Lori Wike."
​Quoted at Penteract Press Website, 2022

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    DEAR READER
    Welcome to my literature, music, and visual poetry project. My blog represents a method for deciphering the fragments left behind in the Anthropocene. Writers use ashes as a metaphorical device in storytelling. Have you ever wondered about the symbolism of ashes? Archaeological fragments of tablet, papyrus, bone, scroll, and pottery are recognizable the world over. In our digital era, however, our lost folkloric works disintegrate into dust. In this sense, I consume the silver flakes and use my he{art] as a vessel to rise from dystopic wastelands. I share lore through the oral tradition. Ashes to Ashes we continue on ∞ to infinity ∞ We are ash. We are stories. We are star dust. We are eternal.​

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