These pieces were constructed in petri dishes using water, india ink, found objects, and fragments torn from the Canadian Charter of Rights and Freedoms."
Quote from Paper View Website, 2022

Damien Donnelly returned to Ireland in 2019 after 23 years in Paris, London and Amsterdam, working in the fashion industry as a pattern maker for various brands including Calvin Klein, & Other Stories, Pepe Jeans, Reiss and G-Star. His writing focuses on identity, fragility and connection. His interests revolve around falling over and learning how to get back up while baking delicious cakes. His work had been published in numerous journals online and in print including Black Bough Poetry, Barren Magazine, Anti Hereon Chic, Icefloe Press and The Bangor Literary Journal. His debut poetry pamphlet Eat the Storms, which was featured on the Poetry Book Society Winter List 2020/21 and his Stickleback micro collection Considering Canvases with Boys were both published by The Hedgehog Poetry Press. Both were nominated for Pushcart Prizes. In the Jitterfritz of Neon was published, also by The Hedgehog Poetry Press, in 2022, a conversational poetry pamphlet he co-wrote with Eilín de Paor. His first full poetry collection Enough! documenting his love affair with Paris will be out later in 2022 followed by Back From Away in 2023, another full collection."
Quoted on Eat the Storms Website, 2022

THE LINEUP:

Amanda Earl - Kept Awake by Little Fires Dreaming
Astra Papachristodoulou - from Like Amber
Chris Kerr - Mildred
David Spittle - enfants en deuil
draftpost0.github.io - like something else, nerds
Imogen Reid - 5 poems
James Knight - from Bodies
Joseph Turrent - Cyclohexane Drift Example
JP Seabright - Moveable Type
Katy Wimhurst - The State We're In
Laura Kerr - 6 poems
Maggs Vibo - M.U.S.I.C.
Martin Wakefield - Lego Poems
Matthew Haigh - BORN
Paul Robinson - STOPLOSS
ReVerse Butcher - 8 poems
Robin Boothroyd - Unearthed
S Cearley - 9 poems
Silje Ree - Knitting Patterns
Sy Brand - On Having Needs
Vilde B. Torset - Like A Mindmap of a Thoughtcloud

Amanda Earl - "Creating Culture Among Women: Friendship and List Making for Judith: Women Making Visual Poetry, A Conversation with Imogen Reid"

Scott Lilley - "An interview with Trickhouse editor Dan Power"

SJ Fowler - "Sticker Poems: Unstuck"
List available at Trickhouse Press Website, 2022.

Our anthology of apocalyptic visual poetry is out now! It’s available in two editions: full colour paperback and deluxe hardback.

The book features innovative, provocative work by many of 2021’s finest visual poets:
Adam Allbright
Sacha Archer
Richard Biddle 
ReVerse Butcher
Kenneth M. Cale
Richard A. Carter
Theodoros Chiotis
Franco Cortese
Anthony Etherin
Matthew Haigh
Paul Hawkins
Briony Hughes
Mark Laliberte
Michael Orr
Astra Papachristodoulou 
Michelle Penn
Dan Power
T.W. Selvey 
Alex Stevens
Samuel Strathman 
Nic Stringer
Lizzy Turner
Joseph Turrent
Mark Valentine
Margaret Viboolsittiseri
Martin Wakefield
Katy Wimhurst
Logan K. Young
editor - James Knight"
​
​Lineup at Steel Incisors Website, 2022

Serigraphy
Screen printing has the advantage of explaining itself in its name, serial printing. That's right. Ideal for, for example, series. Kind, more than one. Wood, paper, metal, glass, ceramics, anything goes.

Flexography is the simplest process and is used daily on a massive scale. The common stamp is a photosensitive polymer that hardens under ultraviolet light and has the advantage of being portable because it only requires a little ink and the image support itself. While not the cheapest method, the massive use of the same image makes it perhaps the cheapest way to print. Ideal for logo."
Quoted at Paper View Website, 2022

Of all the French cultural exports over the last 150 years or so, 'pataphysics—the science of imaginary solutions and the laws governing exceptions—has proven to be one of the most durable. Originating in the wild imagination of French poet and playwright Alfred Jarry and his schoolmates, resisting clear definition, purposefully useless, and almost impossible to understand, 'pataphysics nevertheless lies around the roots of Absurdism, Dada, futurism, surrealism, situationism, and other key cultural developments of the twentieth century. In this account of the evolution and influence of 'pataphysics, Andrew Hugill offers an informed exposition of a rich and difficult territory, staying aloft on a tightrope stretched between the twin dangers of oversimplifying a serious subject and taking a joke too seriously.
Drawing on more than twenty-five years' research, Hugill maps the 'pataphysical presence (partly conscious and acknowledged but largely unconscious and unacknowledged) in literature, theater, music, the visual arts, and the culture at large, and even detects 'pataphysical influence in the social sciences and the sciences. He offers many substantial excerpts (in English translation) from primary sources, intercalated with a thorough explication of key themes and events of 'pataphysical history. In a Jarryesque touch, he provides these in reverse chronological order, beginning with a survey of 'pataphysics in the digital age and working backward to Jarry and beyond. He looks specifically at the work of Jean Baudrillard, Georges Perec, Italo Calvino, J. G. Ballard, Asger Jorn, Gilles Deleuze, Roger Shattuck, Jacques Prévert, Antonin Artaud, René Clair, the Marx Brothers, Joan Miró, Max Ernst, Marcel Duchamp, James Joyce, Flann O'Brien, Raymond Roussel, Jean-Pierre Brisset, and many others."
​Quoted in The MIT Press