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FROM THE ASHES

CB COMPUTATIONAL PLOTTER ART

1/21/2022

 
Picture
#digitalart
Q: What happens when an artist and a mathematician (turned computer scientist) combine their skills? Answer: Innovation.
​CONCLUSION:
Visit: GRASS; Series II by Colette and Charles J. Bangert: LINK
As the so-called “renaissance” of computer art began in the 1970s, artists and critics became more optimistic about the medium and its ability to unite scientific and cultural learning in order to break out of a normative paradigm; the Bangerts were a part of this movement, and the couple saw the computer as ushering in a new “visual age”. Computers could help by offering new ideas and enriching artistic practice; using a computer and plotter could extend the artist’s physical body to enable production of new and interesting designs. At the same time, as Colette wrote, “without conscious understanding of what a drawing is we could not use the computer as a drawing medium…We ask this new medium questions and get new (and old) answers. But some of the answers were there from the beginning…” The Bangerts’ work thus explores the act of creation, regardless of medium, by utilizing the computer to push the boundaries of praxis."
​Qtd. in 
Anne and Michael Spalter Digital Art Collection databas​e. 
Anne and Michael Spalter
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    Welcome to my literature, music, and visual poetry project. My blog represents a method for deciphering the fragments left behind in the Anthropocene. Writers use ashes as a metaphorical device in storytelling. Have you ever wondered about the symbolism of ashes? Archaeological fragments of tablet, papyrus, bone, scroll, and pottery are recognizable the world over. In our digital era, however, our lost folkloric works disintegrate into dust. In this sense, I consume the silver flakes and use my he{art] as a vessel to rise from dystopic wastelands. I share lore through the oral tradition. Ashes to Ashes we continue on ∞ to infinity ∞ We are ash. We are stories. We are star dust. We are eternal.​

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